A Biography of American Painter Andrew Wyeth

Born on July 12, 1917, in Chadds Ford, Pennsylvania, Andrew Wyeth was the youngest of five children born to illustrator N. C. Wyeth and his wife. Andrew came equipped with a bad hip and frequent bouts with illnesses, and parents decided that he was too fragile to attend school, so instead hired tutors. (Yes. Andrew Wyeth was  Ã¢â‚¬â€¹Ã¢â‚¬â€¹homeschooled.) While aspects of his  childhood were rather solitary, for the most part, life in the Wyeth home was filled with art, music, literature, storytelling, a never-ending succession of props and costumes that N. C. used to compose his paintings and, of course, the large Wyeth family. His Start in Art Andrew began drawing a very early age. N. C. (who taught many students, including daughters Henriette and Carolyn) wisely did not attempt to instruct Andy until hed reached the age of 15 and had some inkling of his own style. For two years, the younger Wyeth received rigorous academic training in draftsmanship and painting technique from his father. Turned loose from the studio Wyeth also turned his back on oils as a painting medium, choosing less-forgiving watercolors instead. Those familiar with later works are often surprised at his early wet brush numbers: quickly executed, broad strokes and full of color. N. C. was so enthusiastic about these early works that he showed them to Robert Macbeth, a New York City art dealer. No less enthusiastic, Macbeth staged a solo exhibition for Andrew. Most enthusiastic of all were the crowds who flocked to look and buy. The entire show sold within two days and, at the age of 20, Andrew Wyeth was a rising star in the art world. Turning Point Throughout his 20s Wyeth began painting more slowly, with greater attention to detail and composition, and less emphasis on color. He had learned to paint with egg tempera, and alternated between it and the dry brush watercolor method. His art underwent a dramatic shift after October 1945 when N. C. was struck and killed at a railway crossing. One of his two pillars in life (the other being wife Betsy) was gone--and it showed in his paintings. Landscapes became more barren, their palettes muted, and the occasional figures that appeared seemed enigmatic, poignant and sentimental (an art-critical word the artist came to loathe). Wyeth later said that his fathers death made him, meaning that grief caused him to focus intensely, and forced him to paint with deep emotion going forward from the mid-1940s. Mature Work Though Wyeth did a lot of portraitures, he is best known for interiors, still lifes and landscapes in which figures are largely absent — Christinas World is the most notable exception. As the years passed his palette lightened up somewhat and late works contain hints of vibrant color. Certain art professionals decry Andrew Wyeths work as mediocre at best, even as a growing segment champions it. The Peoples Painters output is beloved by an overwhelming majority of art fans, though, and please know this as well: there are no artists who wouldnt have jumped at the chance to observe his working technique. Wyeth died on January 16, 2009, in Chadds Ford, Pennsylvania. According to a spokesperson, Mr. Wyeth died in his sleep, at his home, after an unspecified brief illness. Important Works Winter 1946, 1946Christinas World, 1948Groundhog Day, 1959Master Bedroom, 1965Magas Daughter, 1966Helga series, 1971-85Snow Hill, 1989 Quotes From Andrew Wyeth I prefer winter and fall when you feel the bone structure of the landscape--the loneliness of it, the dead feeling of winter. Something waits beneath it; the whole story doesnt show. If you display yourself completely, all your inner soul disappears. You have to keep something to your imagination, to yourself. I get letters from people about my work. The thing that pleases me most is that my work touches their feelings. In fact, they dont talk about the paintings. They end up telling me the story of their life or how their father died.

Police Brutality Is An Act Of Aggression And Unnecessary...

Did you know the estimate annual cost of police misconduct to taxpayers is 1.8 trillion dollars (Wing 2015)? Police brutality is an act of aggression and unnecessary force to handle a situation, most cases in physical form. It also plays a role in ethnicity, not all, but most police officers are still racial profiling. This controversy has been an issue of the U.S criminal justice system for decades, especially among minorities. In 2015, a record 1,207 people were killed by American police, making us the only nation in the world to have the most killings by police offers. An average two to three people are killed a day by police offers, then any other nations have killed people in an entire year (King 2016). There’s always been two sides†¦show more content†¦It’s a partial solution but we know those cameras don’t solve the issue when there’s not enough effective policies put in place, instead those cameras have captured killings of civilians by po lice officers, such as Rash Curbean, age 20, who was an unarmed robbery suspect, shot and killed in the back and the Grand jury chose not to indict the officer (DailyMail.com 2015). Cameras, having small visual recording is a waste of time, even though it helps with evidence, police brutality has not been declining since. Cameras are not going to magically fix how all police officers act, what they were trained to do is how they will perform. Secondly, when joining the police force, we assume the individual wants to help, protect and serve. 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Heinrich Isaac; Research Paper Free Essays

Heinrich Isaac is noted as a central figure in late 15th and early 16th century musical development. He was one of three leading composers of the Franco Flemish or Netherlandish School with Jakob Obrecht and Josquin Des Prez. Although Josquin Des Prez was undoubtedly the major figure of the middle renaissance and is most often mentioned before Heinrich Isaac, Isaac is one of several that also deserve recognition. We will write a custom essay sample on Heinrich Isaac; Research Paper or any similar topic only for you Order Now Heinrich was born around ten years after Josquin in 1450-1455. Historians are somewhat certain he was born in Flemish Brabant, a province of Flanders#. Very little is recorded of Heinrich’s early life. It is believed that he was educated in the same area, the Low Countries, due to its excellent standards in musical education. Isaac is also noted to have been a pupil of the Florentine organist Antonio Squarcialupi. It is supposed that Heinrich had begun composing music by 1470. All of this is very hard to establish; the first documented reference to Heinrich Isaac is dated September 15, 1484, thirty or so years after his estimated birth. This document comes from Innsbruck, southwest Austria and refers to Heinrich as a hired member of a royal choir owned by Duke Sigismund of the House of Hapsburgs. The following year Heinirch traveled to Florence. Multiple documents show that Isaac acquired a position in 1485 as a designated singer at the church Santa Maria del Fiore, commonly known as the Duomo. Heinrich Isaac was known for his close association with the Medici family. It is suspected that Lorenzo de’ Medici was responsible for Isaac’s move from Innsbruck. Heinrich maintained close ties with the family throughout his entire life. He is said to have worked for the Medicis as an organist and a musical teacher however recent findings of documentation explain that â€Å"the Medici’s organist† was a title held by another Isaac. Isaac did work with the family as a teacher and choir director. While in Florence Isaac composed a great deal of music including masses and motets. Some of these linked Heinrich’s association with the Medici family. Lorenzo died in 1492 and Piero inherited everything including his father’s musical groups. Isaac wrote two motets in remembrance of Lorenzo. Piero took these groups to Rome to perform for the coronation of Pope Alexander VI. This was the same time and the same pope by which Michael Angelo was commissioned to reconstruct St. Peter’s Basillica. The Medici family was banished from Florence in 1494. In 1496 Heinrich was employed by Maximilian I the newly Holy Roman emperor. In 1497 Isaac was appointed court composer of the Hapsburg empire. Payment documents impose that Isaac traveled with the court through Augsburg, Wels, and Innsbruck between 1497 and 1501. Around 1502 Heinrich traveled to the Este court in Ferrera, Italy to compete with Josquin des Prez for a position. We do have a letter from the family that reads â€Å"Isaac is a disposition among his companions, and he will compose new works more often. It is true that Josquin composes better, but he composes when he wants to and not when one wants his to. † Recent scholarship says that Isaac never asked for the job. Heinrich was commissioned by the Constance cathedral in 1508 after traveling though Constance, Augsburg, and Florence for several years to write his outstandingly large Choralis Constatinus. Isaac returned to Florence in 1514 and died in 1517. Though most sources confirm that Isaac fled from Italy, newer historical findings suggest that Isaac actually never left Florence. Not only did Isaac not leave Florence after Lorenzo’s death but Heinrich Isaac later married a native Florentine, settled down, and became an established citizen of Florence. Isaacs’s marriage was supposedly arranged through Lorenzo Medici. Isaac was able to include both German and Italian aspects in his work, something that made him very distinct from his contemporaries. Most contemporary composers, who called themselves Florentines like he did, limited their traveling to France and Italy. Heinrich is described as one of the most prolific composers of his time. He made significant contributions to both secular and church music; of Germanic and Italian influence; of the splendor of the church and the secularism of the renaissance of which he was such a part of. â€Å"His work spanned from Flemish styled polyphony to bright Italian and French love songs, from ceremonial music expressing the pageantry and power of the church and state to rollicking songs in French, Italian and German embodying the popular, secular spirit of the Renaissance, and from rich choral textures for the church to exquisite chamber music for courtly entertainment. †# Isaacs output includes about forty Mass Ordinaries, 100 proper mass cycles (though most were published posthumously in the three- volume Choralis Constantinus), over fifty motets; and close to fifty secular songs made of French chansons, Italian Frottole, and a large amount of German Tenorlieder. Isaacs best known work is probably Innsbruch, ich muss dich lassen, a Tenorlieder written on the theme of a Germanic folk song. The same melody was used for the Lutheran chorale O Welt, Ich Muss Dich Lassen. Later both J. S. Bach and J. Brahms used the famed theme. Heinrich Isaac’s significance stands not only in his scope and quality but also in his influence particularly seen in Germany. Heinrich acted as an ambassador of the Netherlandish style to Germany. Heinrich had a great effect on the musical development of Germany, leading it into the mainstream European musical tradition and the further development of contrapuntal music. Heinrich’s music directly influenced German composers like Bach and Brahms who in turn influenced aspects in all of western music. As a professionally successful musician and patroned person of the three most powerful men in Europe, Heinrich Isaac’s music was most definitely seen and heard. Sources- The New Oxford History of Music: volume III Wikipedia Encyclopedia Britannica online www. bach-cantatas. com Absorbing Heinrich Isaac by David J Burn, Blake Wilson, And Giovanni Zanovello How to cite Heinrich Isaac; Research Paper, Essays

Handbook of Cost & Management Accounting Report

Question: Describe about the Handbook of Cost Management Accounting? Answer: 1: In the books of Quigley Co Journal entries Dr. Cr. Date Particulars Amount ($) Amount ($) 31/12/2015 Dr. Depreciation account Cr. Machine account 160238 160238 Machine account Date Particulars Amount($) (Dr) Date Particulars Amount (Cr) ($) 1//1/2015 To balance b/d 1081925 31/12/2015 By Depreciation 160238 31/12/2015 BY Balance c/d 921688 1081925 1081925 Workings Note 1Calculation showing depreciation Cost of asset $ 1,402,400 Residual value $ 120500 Life of the assets 8 years Depreciation (1402400-120500)/8 $160238 Balance as on 1/1/2015[1402400-(160238*2)] $ 1081925 Note 2 The asset is purchased in the year 2013 and here the machinery account is shown in the year 2015. So the opening balance of Machine in as on 1/1/2015 is calculated after deducting two years depreciation (Kimmel, Weygandt Kieso, 2007). 2: In the books of Marks company Ratio analysis Current asset 1130000 Current liabilities 345000 Current ratio 3.275362319 Quick assets 746000 Quick liabilities 345000 Acid Test ratio 2.162318841 Net sales 2408000 Account receivable 338000 Receivable turnover 7.124260355 Cost of goods sold 1644000 Average inventory 364500 Inventory turnover 4.510288066 Gross profit 764000 Sales 2408000 Profit on sales 32% Earnings 262000 Number of shares 117200 EPS 2.235494881 Net profit 262000 Equity 1172000 Return on common stock 22% MPS 80 EPS 2.235 PER 35.79418345 Debt 402000 Assets 2714000 Debt to assets 0.148120855 Total value of shares 1172000 Number of shares 117200 Book value 10 Note: Marks sold 35000 shares at the middle of the year, so the total number of equity shares is getting reduced at the end of the year and as the ratios are calculated at the end of the year so the number of shares is taken as 117200 (Paramasivan Subramanian, 2009). Note 2: Amount of current assets consists of cash account receivable and Inventories. Note3: Quick asset means current assets minus inventories and quick liabilities means current liabilities minus bank overdraft. As here no overdraft balance is given so the quick liability is same as the current liability (Shapiro Sarin, 2009). Note 4: here the balance of inventory and accounts receivable at the timer of calculating the turnover period is taken on average basis i.e. average of balances of 2014 and 2015. Note 5: Here Debt to total asset ratio is calculated on the basis of total asset consisting of current and noncurrent assets (Srivastava, 2008). Note 6; all the relevant ratios are calculated by taking the balances of 2015 only. 3: Calculation showing the amortization of lease schedule (2014-2019) Year Annual lease payment($) Interest($) Principal($) Balance($) 1 3,407,500 701000 243585 457415 2,950,085 2 2,946,815 701000 202123 498877 2,744,692 3 2,744,692 701000 183932 517068 2,227,624 4 2,227,624 701000 137396 563604 1,664,020 5 1,664,020 701000 86672 614328 1,049,692 6 1,049,692 701000 31382 669618 380,074 7 380,074 380074 0 380074 0 Note : The effective rate of interest is assumed to be 9%. Calculation showing the depreciation Sum of digits methods = 1+2+3+4+5+6+7 = 28 1st year (2014) = (3407500*1)/28 = 121696.4 2nd year (2015)= (3407500*2)/28 = 243392.9 In the books of Hughey (Lessee) Journal entries For the year ended December 2014 (Dr) (Cr) Date Particulars Amount ($) Amount ($) 1.1.2014 Dr. Asset under Lease A/c 3407500 Cr. Lease payable 3407500 (Being asset is acquired under lease agreement) 1.1.2014 Dr. Lease Payable 701000 Cr. Bank 701000 (Being first installment paid) 31.12.2014 Dr. Depreciation 121696 Cr. Provision for Depreciation 121696 (Being depreciation charge on the assets) 31.12.14 Dr. interest 243585 Cr. Interest Payable 243585 (Being interest payable on lease) 31.12.2014 Dr. Interest payable 243585 Dr. Lease Payable 457415 Cr. Bank 701000 (Being interest and a part of principal amount is repaid) 31.12.2014 Dr. Profit and loss 121696 Cr. Depreciation 121696 (Being amount of depreciation charged at the end of the year to PL A/C) (Stittle Wearing, 2008) 4: Milnar Company Partial cash flow statement For the year ended 31/12/2015 Cash flow from operating activities Cash flow from Investing activities i) Sale of machine $ 95,000.00 ii) Purchase of machine $ (138,000.00) Workings Machine account Date Particulars Amount($) (Dr) Date Particulars Amount (Cr) 1//1/2015 To balance b/d $ 695,000.00 31/12/2015 By Bank $ 95,000.00 To Profit and loss $ 64,000.00 31/12/2015 BY Accumulated depreciation $ 40,000.00 To Bank $ 138,000.00 By Balance c/d $ 762,000.00 $ 897,000.00 $ 897,000.00 Accumulated depreciation Date Particulars Amount($) (Dr) Date Particulars Amount (Cr) 1//1/2015 To Machine $ 40,000.00 31/12/2015 By Balance b/d $ 144,000.00 To balance c/d $ 188,000.00 31/12/2015 $ 40,000.00 $ 144,000.00 Note 3 Here nothing will come under the head cash flow from operating activities as no information regarding the regular operations of the business is mentioned here (Hoque, 2005). References Hoque, Z. (2005).Handbook Of Cost Management Accounting. London: Spiramus. Kimmel, P., Weygandt, J., Kieso, D. (2007).Financial accounting. Hoboken, NJ: John Wiley. Paramasivan, C., Subramanian, T. (2009).Financial management. New Delhi: New Age International (P) Ltd., Publishers. Shapiro, A., Sarin, A. (2009).Foundations of multinational financial management. Hoboken, N.J.: John Wiley Sons. Srivastava, R. (2008).Multinational financial management. New Delhi: Excel Books. Stittle, J., Wearing, B. (2008).Financial accounting. Los Angeles: SAGE Publications.